Gerald Casel is Assistant Professor of Dance in the Department of Theater Arts at University of California Santa Cruz. Since 1998 he has been Artistic Director of GERALDCASELDANCE. Casel was Assistant Professor at CSU Long Beach 2012-2013, Visiting Assistant Professor of Dance at University of Wisconsin-Milwaukee 2011-2012 where he has also taught the low residency MFA program since 2008. In 2010-2011 he was a Professor of Contemporary Dance at Palucca Hochschule für Tanz Dresden and from 2005-2010 he was on faculty at NYU Tisch School of the Arts where he received the David Payne-Carter Award for Teaching Excellence.

Class Description

An experiential laboratory for movement, this course provides strategies for dancers to expand their range and ease of motion to reveal their truest movement potential. Dancers will be encouraged to explore stability and freedom in their bodies by modulating use between the muscular and skeletal systems as they move on and off-balance. Consciously shaping the body’s intuition, students will be urged to seek and acknowledge their habitual patterns – transforming them into dancing that is articulate, expressive and charged with intention.

The course will cover anatomical principles that are essential to any movement practice (i.e., imagery and use of muscles and bones, dynamic alignment, balance, strength and spatial clarity).

Class begins with a thorough warm up consisting of gentle floor-work progressing to standing exercises. Movement phrases that travel across, in and out of the floor investigate flow and energy while paying attention to the dancer’s awareness of time, energy, focus and their relationship to gravity.  Class culminates with a dance phrase that integrates mind and body, harmoniously moving with a sound understanding of one’s anatomy.

One thought on “Teaching

  1. I have been enjoying the combinations we have done in class and find myself practicing them in my small apartment. I really like the different horizontal planes we have been covering with the choreography the fluidity of connection between one movement pattern to the next. I feel like a lot of the movement patterns are more out of the box than any one school of dance (I e jazz dance or ballet).

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